Page 2124 - Shakespeare - Vol. 4
P. 2124

London 1963; M. Copland, The Dead Phoenix, «Essays in Criticism», 15, 1965;
          W.H.  Matchett, «The  Phoenix  and  the  Turtle»:  Shakespeare’s  Poem  and
          Chester’s «Loue’s Martyr», The Hague 1965; F.M. Dickey,  Not Wisely But Too
          Well,  San  Marino  1966;  N.  Alexander, Elizabethan  Narrative  Verse,  London

          1967;  A.C.  Hamilton, The  Early  Shakespeare,  San  Marino  1967;  N.  Rabkin,
          Shakespeare  and  the  Common  Understanding,  New  York  1967;  V.  Akrigg,
          Shakespeare  and  the  Earl  of  Southampton,  Cambridge  (Mass.)  1968;  P.
          Dronke, «The  Phoenix  and  the  Turtle»,  «Orbis  Litterarum»,  23,  1968;  E.

          Panofsky, Problems in Titian, Mostly Iconographic, New York 1969; E.P. Kuhl,
          Shakespeare’s «Rape of Lucrece», in Renaissance Studies In Honor of Hardin
          Craig,  a  cura  di  B.  Maxwell,  Folcrot  1972;  K.  Muir,  Shakespeare  the
          Professional, London 1973; R.A. Underwood, Shakespeare’s «The Phoenix and

          the Turtle»: A Survey of Scholarship, «Salzburg Studies in English Literature»,
          15,      1974;       D.N.      Beauregard, «Venus  and  Adonis»:  Shakespeare’s
          Representation  of  the  Passions,  «Shakespeare  Studies»,  8,  1975;  V.
          Petronella, Shakespeare’s «The Phoenix and the Turtle» and che Defunctive

          Music  of  Ecstasy,  «Shakespeare  Studies»,  8,  1975;  E.  Platt, «The  Rape  of
          Lucrece»  and  the  Republic  for  which  it  stands,  «Centennial  Review»,  19,
          1975; C. Kahn, The Rape of Shakespeare’s Lucrece, «Shakespeare Studies»,
          9, 1976; J.W. Lever,  Shakespeare’s Narrative Poems, in A New Companion to

          Shakespeare’s Studies, a cura di K. Muir e S. Schoenbaum, Cambridge 1976;
          W. Keach, Elizabethan Erotic Narratives, New Brunswick 1977; D.G. Watson,
          The Contrarieties of «Venus and Adonis», «Studies in Philology», 75, 1978;
          A.R.  Baumann, «Hard  Armours»  and  «Delicate  Amours»  in  Shakespeare’s

          «Venus and Adonis», «Shakespeare Studies», 12, 1979; J. Buxton, Two Dead
          Birds,  in English  Renaissance  Studies  Presented  to  Helen  Gardner,  Oxford
          1980;       C.    Hulse, Metamorphic  Verse,  Princeton  1981;  A.R.  Bowers,
          Iconography  and  Rhetoric  in  Shakespeare’s  «Lucrece»,  «Shakespeare

          Studies», 14, 1981; R. Levin, The Ironic Reading of «The Rape of Lucrece»
          and the Problem of External Evidence, «Shakespeare Survey», 31, 1981; I.
          Donaldson, The Rapes of Lucretia, Oxford 1982; T. Hughes, Shakespeare and
          the Goddess of Complete Being, London 1992.




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