Page 2538 - Shakespeare - Vol. 1

L’elenco comprende i maggiori contributi critici limitatamente al
Midsummer Night’s Dream.
M.W. Latham, The Elisabethan Fairies: The Fairies of Folklore and the
Fairies of Shakespeare, New York 1930 (rist. 1972); P.N. Siegel, «A
Midsummer Night’s Dream» and the Wedding Guests , in «Shakespeare
Quarterly», IV, 1953; P.H. Olson, «A Midsummer Night’s Dream» and the
Meaning of Court Marriage, in English Literary History, XXIV, 1955; E.
Schanzer, The Moon and the Fairies in «A Midsummer Night’s Dream», in
«University of Toronto Quarterly», XXIV, 1955; G.A. Bonnard, Shakespeare’s
Purpose in «A Midsummer Night’s Dream», in «Shakespeare Jahrbuch», 92,
1956; H. Nemerov, The Marriage of Theseus and Hippotyta, in «Kenyon
Review», XVIII, 1956; P.F. Fisher, The Argument of «A Midsummer Night’s
Dream», in «Shakespeare Quarterly», VIII, 1957; C.L. Barber,
Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation
to Social Custom, New York 1959 (rist. 1963); K.M. Briggs, The Anatomy of
Puck; An Examination of Fairy Beliefs among Shakespeare’s
Contemporaries and Successors, London 1959; F. Kermode, The Mature
Comedies, in J.R. Brown-B. Harris (a cura di), Early Shakespeare, ivi 1961;
J. Kott, Szkice o Szekspirze, Varsavia 1961 (trad. it. Shakespeare nostro
contemporaneo, Milano 1964); J.R. Brown, Shakespeare and His Comedies,
London 1962; G.K. Hunter, Shakespeare: The Late Comedies, British
Council Writers-and-their-Work Series, ivi 1962; R.K. Turner Jr., Printing
Methods and Textual Problems in «A Midsummer Night’s Dream Q 1», in
«Studies in Bibliography», 15, 1962; W. Clemen, Introduzione alla Signet
Classic Edition, New York 1963; R.W. Dent, Imagination in «A Midsummer
Night’s Dream», in «Shakespeare Quarterly», XV, 1964; F. Ferrara,
Shakespeare e la commedia, Bari 1964; J.W. Robinson, Palpable Hot Ice:
Dramatic Burlesque in «A Midsummer Night’s Dream», in «Shakespeare
Philology», 1964; J.L. Calderwood, «A Midsummer Night’s Dream»: The
Illusion of Drama, in «Modern Language Quarterly», 1965; D.P. Young,
Something of Great Constancy. The Art of «A Midsummer Night’s Dream» ,
New Haven and London 1966; S. Fender, Shakespeare: «A Midsummer
Night’s Dream», in «Arnold Studies in English Literature», 35, 1968; J.L.
Calderwood, Shakespeare’s Metadrama, Minneapolis 1971; A.D. Weiner,
Multiforme Uniforme: «A Midsummer Night’s Dream», in «English Literary
History», XXXVIII, 1971; R. Berry, Shakespeare’s Comedies: Explorations in
Form, Princeton 1972; J.I. Cope, The Theatre and the Drama: From
Metaphor to Form in Renaissance Drama, Baltimore and London 1973; R.
Spe a i ght , Shakespeare on the Stage. An Illustrated History of
Shakespearian Performance, London 1973; G.J. Williams, The Concord of
this Discord. Music in the Stage History of «A Midsummer Night’s Dream»,