Page 646 - Shakespeare - Vol. 1
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T.P. Courtenay, Commentaries on the Historical Plays of Shakespeare, vol.
I, London 1840; E.M.W. Tillyard, Shakespeare’s History Plays, London 1944;
E.A. Armstrong, Shakespeare’s Imagination, London 1946; L.B. Campbell,
Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy , San Marino (Ca.)
1947; F.P. Wilson, Marlowe and the Early Shakespeare, Oxford 1953; P.A.
Jorgensen, Shakespeare’s Military World, Berkeley (Ca.) 1956; L.C. Knights,
Shakespeare’s Politics: With Some Reflections on the Nature of Tradition
(1957), ora in K. Muir (a cura di), Interpretations of Shakespeare, Oxford
1985; I. Ribner, The English History Play in the Age of Shakespeare,
Princeton (N.J.) 1965; E.M. Waith (a cura di), Shakespeare. The Histories.
A Collection of Critical Essays, Englewood Cliffs (N.J.) 1965; D. Bevington,
Tudor Drama and Politics: A Critical Approach to Topical Meaning ,
Cambridge (Mass.) 1968; B. Vickers, The Artistry of Shakespeare’s Prose,
London 1968; F.P. Wilson, Shakespearian and Other Studies, a cura di H.
Gardner, Oxford 1969; H.A. Kelly, Divine Providence in the England of
Shakespeare’s Histories, Cambridge (Mass.) 1970; J.C. Bromley, The
Shakespearean Kings, Boulder (Col.) 1971; J.H. Long, Shakespeare’s Use of
Music: The Histories and the Tragedies , Gainsville (Fla.) 1971; R.B. Pierce,
Shakespeare’s History Plays. The Family and the State , Columbus (Oh.)
1971; W.A Armstrong (a cura di), Shakespeare’s Histories: An Anthology of
Modern Criticism, Harmondsworth 1972; R. Ornstein, A Kingdom for a
Stage. The Achievement of Shakespeare’s History Plays, Cambridge
(Mass.) 1972; M. Manheim, The Weak King Dilemma in the Shakespearean
History Play, Syracuse (N.Y.) 1973; M.E. Prior, The Drama of Power.
Studies in Shakespeare’s History Plays, Evanston (Ill.) 1973; L. Fiedler, The
Woman as Stranger, in The Stranger in Shakespeare, St. Albans 1974; M.H.
Fleischer, The Iconography of the English History Play, Salzburg 1974; A.L.
French, The Mills of God and Shakespeare’s Early History Plays, in «English
Studies», 55 (1974), pp. 313-324; R.Y. Turner, Shakespeare’s
Apprenticeship, Chicago (Ill.) 1974; E.I. Berry, Patterns of Decay:
Shakespeare’s Early Histories, Charlottesville (Va.) 1975; F.W. Brownlow,
Two Shakespearean Sequences , London 1977; E. Jones, The Origins of
Shakespeare, Oxford 1977; F. Moretti, La grande eclissi. Forma tragica e
sconsacrazione della sovranità, in «Calibano», 4 (1977), pp. 9-52; P.
Saccio, Shakespeare’s English Kings: History, Chronicle, and Drama , Oxford
1977; E.Z. Boris, Shakespeare’s English Kings, the People and the Law ,
Rutherford (N.J.) 1978; T.F. Van Laan, Role-Playing in Shakespeare,
Toronto 1978; R. Weimann, Shakespeare and the Popular Tradition in the
Theater, Baltimore 1978 (su questa versione riveduta di Shakespeare und
die Tradition des Volkstheaters (1967) è stata condotta la traduzione
italiana: Shakespeare e la tradizione del teatro popolare, Bologna 1989); J.
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