Page 648 - Shakespeare - Vol. 1

History: Shakespeare’s English Chronicles, Ithaca (N.Y.) 1990; B. Hodgdon,
The End Crowns All. Closure and Contradiction in Shakespeare’s History,
Princeton (N.J.) 1991; R.C. Jones, These Valiant Dead: Reviewing the Past
in Shakespeare’s Histories, Iowa City (Ia.) 1991; W.F. Bolton,
Shakespeare’s English: Language in the History Plays, Oxford 1992; W.C.
Carroll, Language, Politics, and Poverty in Shakespearian Drama , in
«Shakespeare Survey», 44 (1992), pp. 17-24, e P. Sahel, Some Version of
Coup d’État: Rebellion and Revolution, ibidem, pp. 25-32; C. Edelman,
Brawl Ridiculous. Swordfighting in Shakespeare’s Plays, Manchester 1992;
G. Holderness, Shakespeare Recycled. The Making of Historical Drama,
New York 1992; S.S. Hussey, The Literary Language of Shakespeare,
London 19922; E. Pearlman, William Shakespeare. The History Plays, New
York 1992; D. Märtin, Shakespeares ‘Fiend-like Queens’, Heidelberg 1992;
P. Pugliatti, Shakespeare storico, Roma 1993 (trad. inglese con nuovi
contributi, Shakespeare the Historian, London 1996); R. Burt - J.M. Archer
(a cura di), Enclosure Acts. Sexuality, Property and Culture in Early Modern
England, Ithaca (N.Y.) 1994; K.O. Irace, Reforming the “Bad” Quartos,
Newark (Del.) 1994; S. Wells, Shakespeare. A Dramatic Life, London 1994;
F. Ferrara, Il teatro dei re. Saggio sui drammi storico-politici di
Shakespeare, Bari 1995; V. Gabrieli, La storia d’Inghilterra nel teatro di
Shakespeare, Roma 1995; E. Sams, The Real Shakespeare. Retrieving the
Early Years, New Haven (Ct.) 1995; P. Parker, Shakespeare from the
Margins. Language, Culture, Context, Chicago 1996; J.W. Velz (a cura di),
Shakespeare’s English Histories: A Quest for From and Genre, Binghampton
(N.J.) 1996; J.E. Howard - P. Rackin, Engendering a Nation, London 1997.
Tra gli studi specificatamente dedicati alla trilogia di Enrico VI, e con
particolare riferimento alla terza parte, si segnalano: P. Alexander,
Shakespeare’s Henry VI and Richard III, Cambridge 1929; G. Bullough,
Narrative and Dramatic Sources of Shakespeare, voll. III e IV, London 1960-
1962; J.P. Brockbank, The Frame of Disorder - «Henry VI», in J.R. Brown e
B. Harris (a cura di), Early Shakespeare, London 1961, pp. 73-99; R.S.
Berman, Fathers and Sons in the «Henry VI» Plays, in «Shakespeare
Quarterly», 13 (1962), pp. 487-497; S. Burckhardt, Shakespeare’s
Meanings, Princeton (N.J.) 1968; D.M. Ricks, Shakespeare’s Emergent
Form. A Study of the Structures of the Henry VI Plays, Logan (Ut.) 1968;
A.L. French, Henry VI and the Ghost of Richard II, in «English Studies», 50
(1969), pp. xxxvii-1; D. Riggs, Shakespeare’s Heroical Histories: Henry VI
and Its Literary Tradition, Cambridge (Mass.) 1971; C. McGinnis Kay, Traps,
Slaughter, and Chaos: A Study of Shakespeare’s Henry VI Plays, in «Studies
in Literary Imagination», V, 1 (1972), pp. 1-26; R. Watkins, The Only
Shake-Scene, in «Philological Quarterly», 54 (1975), pp. 47-67; D.L. Frey,