Page 2745 - Shakespeare - Vol. 1

(1957); E.H. Kantorowicz, The King’s Two Bodies: a Study in Medieval
Political Theology, Princeton (N.J.) 1957; M.M. Mahood, Shakespeare’s
Wordplay, London 1957; K.F. Thompson, R i c h a r d II, Martyr, in
«Shakespeare Quarterly», VIII (1957); D.A. Traversi, Shakespeare, from
«Richard II» to «Henry V», Stanford (Cal.) 1957; M. Quinn, The King is Not
Himself: the Personal Tragedy of Richard II, in «Studies in Philology», LVI
(1959); R.F. Hill, Dramatic Technique and Interpretation in «Richard II», in
J.R. Brown-B. Harris (a cura di), Early Shakespeare, London 1961; P.G.
Phialas, The Medieval in «Richard II», in «Shakespeare Quarterly», XII
(1961); A.P. Rossiter, «Richard II», in Angel with Horns, London 1961; E.W.
Talbert, The Problem of Order: Elizabethan Political Commonplaces and an
Example of Shakespeare’s Art, Chapel Hill (N.C.) 1962; J. Gielgud, Stage
Directions, London 1963; R. Hapgood, Three Eras in «Richard II», in
«Shakespeare Quarterly», XIV (1963); D.C. Hockey, A World of Rhetoric in
«Richard II», in «Shakespeare Quarterly», XV (1964); A.R. Humphreys,
Shakespeare’s Political Justice in «Richard II» and «Henry IV», in B.W.
Jackson (a cura di), Stratford Papers on Shakespeare, Toronto 1964; D.H.
Reiman, Appearance, Reality and Moral Order in «Richard II», in «Modern
Language Quarterly», XXV (1964); J.R. Elliott Jr., «Richard II» and the
Medieval, in G.W. Williams-P. Phialas (a cura di), Renaissance Papers,
1966; A.R. Humphreys, Shakespeare: «Richard II», London 1967; N.
Brooke, Shakespeare’s Early Tragedies , London 1968; J.R. Elliott Jr.,
History and Tragedy in «Richard II», in «Studies in English Literature», VIII
(1968); P. Ure, «Richard II»: or, «To Find Out Right With Wrong» , in
«Essays in Criticism», XVIII (1968); J. Winny, The Player King, London 1968;
R.L. Montgomery, The Dimension of Time in «Richard II», in «Shakespeare
Studies», IV (1969); T. Hawkes, The Word Against the Word: the Role of
Language in «Richard II», in «Language and Style», II (1969); M. Grivelet,
Shakespeare’s War With Time: the Sonnets and «Richard II», in
«Shakespeare Survey», XXIII (1970); S. Homan, «Ri cha rd II»: The
Aesthetics of Judgement, in «Studies in the Literary Imagination», V
(1972); M.F. Kelly, The Function of York in «Richard II», in «Southern
Humanities Review», VI (1972); H.F. Folland, King Richard’s Pallid Victory ,
in «Shakespeare Quarterly», XXIV (1973); M. Mack Jr., Killing the King:
Three Studies in Shakespeare’s Tragic Structure , New Haven 1973; M.
Manheim, The Weak King Dilemma in the Shakespearean History Play,
Syracuse 1973; S.R. Maveety, A Second Fall of Cursed Man: the Bold
Metaphor in «Richard II», in «Journal of English and Germanic Philology»,
LXXII (1973); T. McAlindon, Shakespeare and Decorum, London 1973; R.
Battenhouse, Tudor Doctrine and the Tragedy of «Richard II», in «Rice
University Studies», LX (1974); D.M. Bergeron, The Deposition Scene in