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W a t t s , «Measure for Measure», Harmondsworth, 1986 (Penguin
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Leavis, in The Common Pursuit, ivi 1952; J. Bayley, in The Characters of Love,
ivi 1960; A.P. Rossiter, in Angel with Horns and Other Shakespeare Lectures
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Essays, Edinburgh 1965; R.G. Hunter, in Shakespeare and the Comedy of
Forgiveness, New York 1965; R. Ornstein, in The Moral Vision of Jacobean
Tragedy, Wisconsin U.P. 1965; P. Brook, in The Empty Space [1968],
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Jackson), Hamilton, Ontario, 1972; J. Powell, in Shakespearean Comedy,
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Traditions of Comedy, Cambridge 1974; J. Williamson, in The Triple Bond:
Plays, Mainly Shakespearean, in Performance, Berkeley, CA, 1981; Th.F. Van

Laan, in Role-Playing in Shakespeare, Toronto 1978; R.L. Levin, in New
Readings vs. Old Plays, Chicago 1979; M.A. Skura, in The Literary Use of the
Psychoanalytic Process, New Haven, CT, 1981; M. Garber, in Coming of Age in
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M.C. Bradbrook, in The Artist and Society in Shakespeare’s England: The
Collected Papers of Muriel Bradbrook, Totowa, NJ, 1982; J. Goldberg, in