Page 583 - The Rough Guide of Sicily
P. 583

SICILIAN BAROQUE



           Most of the church and civic architecture that you’ll come across in Sicily,
           certainly in the east of the island, is Baroque in style. More particularly, it’s of a
           type known as Sicilian Baroque. What follows is a brief introduction to the

           subject, designed to serve as a handy reference for some of the more important
           aspects of the style mentioned in the Guide.

           Origins


           To some extent, the qualities that attract art historians to the Sicilian Baroque – its
           “warmth and ebullience”, “gaiety”, “energy”, “freedom and fantasy”– typify all
           Baroque architecture. The style grew out of the excesses of Mannerism, a distorted

           sixteenth-century mode of painting and architecture that had flourished in Italy in
           reaction to the restraint of the Renaissance. The development of a full-blown, ornate
           Baroque style followed in the late sixteenth century, again originating in Italy, and it
           quickly found a niche in other countries touched by the Counter-Reformation. The
           Jesuits saw in Baroque art and architecture an expression of a revitalized Catholicism,

           its theatrical forms involving the congregation by portraying spiritual ecstasy in terms
           of physical passion. The origin of the word “Baroque” itself is uncertain: the two most
           popular theories are that it comes either from the seventeenth-century Portuguese
           barroco, meaning a misshapen pearl, or the term barocco, used by philosophers in the
           Middle Ages to mean a contorted idea. Whatever its origins, it was used by
           contemporary critics in a derogatory sense, implying odd or extravagant shapes, as
           opposed to the much-vaunted Classical forms of the Renaissance.


             Although Baroque was born in Rome, the vogue quickly spread throughout Europe.
           Everywhere, the emphasis was firmly on elaborate ornamentation and spectacle,
           something that reflected the growing power of the aristocracy, who had begun to
           challenge the established wealth and tradition of the Church. The primary motivating
           force behind the decoration of the buildings was the need to impress the neighbouring
           gentry; building to the glory of God came a poor second.


             Some of the finest examples of Baroque architecture are to be found in Sicily,
           although there’s some debate as to the specific origins of the Sicilian Baroque style.
           During the eighteenth century alone, Sicily was conquered and ruled in turn by the
           Spanish Habsburgs, the Spanish Bourbons, the House of Savoy, the Austrian
           Habsburgs and the Bourbons from Naples, lending a particularly exuberant flavour to
           its Baroque creations – which some say was borrowed from Spain. Others argue that
           the dominant influence was Italian: Sicilian architects tended to train and to travel in

           Italy, rather than Spain, and brought home what they learned on the mainland, adapting
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